In 1966 a coal slag heap collapsed on a school in south Wales, killing 144 people, most of them children. Poet Owen Sheers has given voice to those who still live in Aberfan, the pit village in which tragedy struck, and uses their collective memories to create a striking work of poetic power.
This is a portrait not just of what happened, but also of what was lost. What was Aberfan like in 1966? What were the interests of the people, the social life, the sporting obsessions, the bands of the day? What was the deeper history of the place? Why had it become the mining village it was, and what had it been before the discovery of coal under its soil? Perhaps most significantly: what is Aberfan like today?
The Green Hollow is a historical story with a deeply urgent contemporary resonance; a story of what can happen when a community is run by a corporation. It is also a story known along generational rather than geographic borders. Based on the BBC One production, The Green Hollow is a beautifully rendered picture of a time and place – and a life-altering event whose effects are irrevocable.
The Green Hollow: an extraordinary memorial to the 1966 Aberfan disaster. The BBC commissioned Sheers to write a film-poem, including performances by Michael Sheen, Jonathan Pryce, and Sian Phillips, to mark the 50th anniversary of the disaster in 2016.
Faber and Faber are now bringing the powerful and hugely moving film-poem into print in a beautiful hardback edition of The Green Hollow released this April.
The Green Hollow is a historical story with a deeply urgent contemporary resonance; a story of what can happen when a community is run by a corporation. It is also a story known along generational rather than geographic borders.
Based on the BBC One production, The Green Hollow is a beautifully rendered picture of a time and place – and a life-altering event whose effects are irrevocable.
Friday at 19:30 at the Horeb Chapel, Cawdor Hotel
Ifor Ap Glyn: Cuddle Call
Detholiad dwyieithog o gerddi hen a newydd, gan Ifor ap Glyn, bardd Cenedlaethol Cymru, Gyda Elinor Wyn Reynolds.
National Poet of Wales, Ifor ap Glyn will be reading from his new book of selected bilingual poems.
Sunday 16:00 Horeb Chapel: “George Thomas in search of a political chameleon” – Martin Shipton
Western Mail reporter, Martin Shipton, discusses his biography of George Thomas with journalist Cenwyn Edwards. The former Labour MP, Cabinet Minister and Speaker was arguably the most divisive figure in twentieth-century Welsh politics, who transformed from a radical young socialist to Viscount Tonypandy.
Chair: Cenwyn Edwards
Sgwrs ehwng Martin Shipton a Cenwyn Edwards am yr arch grafwr, George Thomas, un o brif gymeriadau y sefydliad gwleidyddol Cymreig.
Saturday 28th 17:00 Horeb Chapel: Peter Lord: John Lewis a Sir Gâr
Session in Welsh / Sesiwn yn Gymraeg
Peter Lord yw prif hanesydd celf Cymru ac mae wedi cyhoeddi a darlledu’n helaeth ar ddiwylliant gweledol Cymru yn Gymraeg a Saesneg.
John Lewis oedd yr arlunydd cyntaf i gynnal bywoliaeth yng Nghymru ei hun. Roedd rhai o’i noddwyr cynnar yn y 1730au a 40au yn byw yn Sir Gâr a’r siroedd cyfagos. Roeddent yn ffyddlon iddo hyd at y 1760au pan roedd yn peintio tirluniau yn bennaf.
Treuliodd Lewis ran bwysig o’i yrfa yn Nulyn yn peintio portreadau a setiau theatr. Roedd yn un o gydnabod y dramodydd Thomas Sheridan.
Mae’r portread hyfryd o Elizabeth Gwynne o Daliaris, Llandeilo yn chwe blwydd oed yn un o’i bortreadau Cymreig cynharaf. Mae Peter Lord yn trafod gyrfa John Lewis a’i gysylltiad gyda Sir Gaerfyrddin.
Graddiodd Peter Lord yn y Celfyddydau Cain ym Mhrifysgol Reading yn 1970. Roedd yn gymrawd gwadd yng nghanolfan Celf Brydeinig yn Yale yn 1994, wedyn yn ymchwilydd yng nghanolfan Astudiaethau Cymreig a Cheltaidd Uwch o 1996-2003 ac, yn fwy diweddar, yn CREW, Prifysgol Abertawe. Rhwng 1998 a 2003 cyhoeddodd dair cyfrol o ‘The Visual Culture of Wales’, sy’n cael eu hystyried y gwaith mwyaf awdurdodol ar y pwnc. Yn 2009 cyhoeddodd ‘The Meaning of Pictures: Images of Personal, Social and Political Identity’ ac yn 2013 hunangofiant, ‘Relationships with Pictures’. Cyhoeddwyd ei lyfr diweddaraf, The Tradition: a New History of Welsh Art 1400-1990, gan Parthian yn 2016. Yn 2017 enillodd wobr Llyfr Ffeithiol y Flwyddyn yng Nghymru.
The Portrait of Elizabeth Gwynne of Taliaris – John Lewis and the Carmarthenshire Connection
Peter Lord is Wales’ foremost art historian and has published and broadcast extensively on the visual culture of Wales in both Welsh and English.
John Lewis was the earliest painter to sustain a practice substantially in Wales itself. Many of his early patrons, for whom he painted portraits in the 1730s and 40s, lived in Carmarthenshire and neighbouring counties. He retained their loyalty into the 1760s, by which time he was painting mainly landscapes.
Lewis also spent an important part of his career in Dublin, where he moved in the circle of the playwright Thomas Sheidan, painting portraits and theatre scenery.
The lovely portrait of Elizabeth Gwynne of Taliaris, Llandeilo, painted when she was about six year old, may be the earliest of his Welsh portraits. Taking this picture as a starting point, Peter Lord explores the career of John Lewis, and the Camarthenshire connection.
Peter Lord took a degree in Fine Art at Reading University in 1970. He was a visiting fellow at the Yale Center for British Art in 1994, then research fellow at the Centre for Advanced Welsh and Celtic Studies from 1996-2003 and, more recently, at CREW, Swansea University. He has published and broadcast extensively on the visual culture of Wales in both Welsh and English languages, and curated major exhibitions for national institutions. Between 1998 and 2003 he published the three volumes of The Visual Culture of Wales, which is regarded as the authoritative text on the subject. In 2009 he published The Meaning of Pictures: Images of Personal, Social and Political Identity and in 2013 an autobiography, Relationships with Pictures. His latest book, The Tradition: a New History of Welsh Art 1400-1990, was published by Parthian in 2016. In 2017 it was Wales Non-fiction Book of the Year.
Peter Lord is particularly interested in the work of the Welsh artisan painters of the first half of the nineteenth century, and in the art of the Great Depression, between the two world wars. In a wider context he has written extensively on the theoretical issues that concern the history of art in nations regarded as marginal to the mainstream tradition.
Saturday 15: 30 Horeb Chapel : Menna Elfyn : Cennan Cerddi
Bydd Menna Elfyn yn darllen o’i chyfrol diweddaraf o farddoniaeth, Bondo ac yn cyflwyno darnau o’i llên gofiant, Cennad.
Chaired by Iola Wyn of Barddas
Wales ‘ most travelled and well known poets Menna Elfyn reads from her last bilingual volume of poetry Bondo and from her life in poems which will be published this spring.
Un o feirdd mwyaf cyfarwydd Cymru ac un sydd wedi teithio y byd i gyflwyno’i gwaith. Bydd yn darllen o’i chyfrol dwyieithog diweddaraf o farddoniaeth, Bondo a darnau o’i llengofiant a gyhoeddir gan Barddas yn y gwanwyn.
Bilingual session – & there will be a translator
How The West Was Won – Saturday 28th at 18:30 Horeb Chapel
Sparky discussion and audience participation promised here with Jane of Galerie Simpson, Elin of Telesgop TV, ceramicist and novelist Kate. These will be chatting with Gaynor Jones, Ail Argraffiad and psychologist Philippa Davies in a bilingual, no holds barred session. And you can give your views, too…
Sut Gorchfygwyd Y Gorllewin
Ydy Gorllewin Cymru’n ysbrydoli – neu’n glwm wrth y ganrif ddiwethaf? Beth yw’r manteision a’r anfanteision o redeg menter greadigol yn ein rhanbarth prydferth?
Disgwylir trafodaeth fywiog yn cynnwys y gynulleidfa pan fydd Jane o Galerie Simpson, Elin o Gwmni Deledu Telesgop, y seramegydd ac awdur Kate. Bydd y pedair sydd wedi torri cwysi newydd yn y maes creadigol yn sgwrsio gyda Gaynor Jones, perchennog Ail Argraffiad, a’r seicolegydd Philippa Davies mewn sesiwn ddwyieithog. Gallwch chi roi’ch barn hefyd….